![]() ![]() 'French Dispatch' and 'Last Night in Soho' Start to Lift Stagnant Specialty Box OfficeĮvery IndieWire TV Review from 2021 So Far, Ranked by Best to Worst Grade Who's Got the Heat in the Oscar Race? Critics Voting Offers Some Clues Lady Gaga Will Land a Best Actress Oscar Slot, Not for the Last Time - Here's Why Shot in Budapest, Jordan, United Arab Emirates, and Norway, the work is both epic and intimate, from the wind blown sand, to the raging sandstorms (done practically at the director’s request), to the flying insect-like ornithopters (requiring a special in-camera setup and backed by photoreal exteriors) to the iconic CG sandworms, which cause the entire desert to vibrate with the help of custom-built mechanics. Marvel is more diverse and ambitious in Phase 4 with “Eternals” and “Shang-Chi and the Legend of the Ten Rings,” while Sony counters with its own darker, edgier Marvel property, “Venom: Let There Be Carnage.” There’s also the return of Neo (Keanu Reeves) in “The Matrix Resurrections,” and the video game heroics of Ryan Reynolds’ Guy in “Free Guy,” among other contenders.ĭNEG created spectacular VFX for the otherworldly “Dune” (overseen by two-time Oscar-winning production VFX supervisor Paul Lambert and Oscar-winning SFX supervisor Gerd Nefzer). Denis Villeneuve’s sweeping “Dune” leads the way in the VFX race as a cross between “Lawrence of Arabia” and “Star Wars.” But there is plenty of competition from other superhero, action-adventure, and fantasy films. ![]()
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